Overview :
Unfolding Spectatorship: Shifting Political, Ethical and Intermedial Positions by Christel Stalpaert
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There is no performance without the viewer. This applies not only to traditional drama, but also to modern, even virtual, forms of theater. The concepts of exploration are now redefined,…
Unfolding Spectatorship synopsis
There is no performance without the viewer. This applies not only to traditional drama, but also to modern, even virtual, forms of theater.
The concepts of exploration are now redefined, with experimental practices being neglected until recently in academic discourse. The viewer is no longer a passive and moving subject.
This collection of articles, which promote the concept of ever-changing armaments, promotes the field of contemporary performing arts by revealing the interaction between the public and society, negative and negative outlook, living reality, self-ownership and alienation. By incorporating recent developments in philosophy, drama studies and performance studies, the authors provide an insight into the practices of a wide range of international theater and flamenco performers, such as Explosion Theory, Ariane Luz, Margaret Obixer, Sara Vanagt, Charlotte Vanden Eden and Kurt Vandendrich..
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