"Hamid Nafsi" in "Dark Cinema" presents an attractive overview of an important trend - post-colonial filmmaking, the Third World, and other displaced people living in the West. Their personal experiences in exile or diaspora translated into cinema are essential to the work of Nafsi.

Although the experience of alienation varies greatly from one person to another, the films themselves show stylistic similarities, from their open and closed aesthetics to their multilingual novels driven by nostalgia and memory, and from their focus on the political agency to its concern. With identity and identity override.

The author explores these features taking into account the specific dates of individuals and groups that generate different experiences, institutions, patterns of cultural production and consumption. As it relates to creativity as a social practice, it shows that films engage not only with communities and host communities, but also with the masses, many of whom also fall into different cultures, and want filmmakers to express their wishes.

Comparing these films with Hollywood films, Nafsi calls them "animated." Their accent is the displacement of filmmakers, their alternative production patterns and style. Enhanced cinema is a new emerging genre that requires a new set of audience viewing skills.

Their importance continues to grow in terms of production, style, cultural diversity and social impact. This book presents the first comprehensive and global coverage of this genre while providing a framework for understanding its complexities..

I want that book.