In this collection of articles, contributors see the continuing cultural importance of cyberspace in the new millennium. Cyberpunk is no longer an emerging phenomenon, but in our digital age of CGI-based entertainment, the information economy, and globalized capital, we no longer need a fantasy capable of dealing with a world where information technology is formed.

Shareholders seek to overcome the narrow limitations of the CyberBank as defined in the 1980s and contribute to an ongoing debate on how to negotiate exchanges between information technology, global capitalism and human social presence. The articles present a variety of views on cyberspace diversity, and how this subtype remains relevant in its transformation from science fiction to a more general set of cultural practices, addressing the question of what cyberpunk stories continue to give us intersections in literary, cultural and theoretical environments Academic and technological..