Cambridge Studies in Nineteenth synopsis
The relationship between Charles Dickens' work and popular literature has often been noted, but to what extent it has not yet been explored to what extent it relates to his stories, his journalism and his continued response to the popular radical culture of his time. Sally Ledger traces the influence of Regensis Radicales, such as William Hoon and William Coppett, and a mid-century radical writers such as Douglas Girold and Charters Ernest Jones and JW Reynolds.
It offers great readings of works from Peckwick to Little Dorrit, arguing that populist Dickens conceived the concepts of the 18th and 19th centuries of "popularity", the first identified by the political idea of the "people", and the second identified through the popular market that emerged during the march Dickens. This richly illustrated study showed echo between Dickens' writings and the famous graphic arts by George Crockshank, Robert Seymour, J. Grant and others..
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