After the cartoonist, teacher and editor James Storm discovered the ancient book Moby Dick Duke To find out more about the author, deceased and unknown cartoonist Dennis Wortmann. Storm immediately took note of the ingenious graphics - casual, confident, and full of personality - and wondered how this painter survived his radar.

After some spying on the Internet, Sturm was connected to Fortman's son, who reported that an archive of more than 5,000 illustrations was sitting in a shed in dire need of rescue. For more than thirty-five years, illustrations have been fighting elements such as hungry rodents, rusty paper clips, and even a snowstorm.

He also had a drawer full of his father's correspondence, including letters and holiday cards from William Stig and Walt Disney. The original artworks of artists and their friends - including Peggy Bacon, Milt Gross, Isabel Bishop and Reginald Marsh - were also saved. The fact that Norman's peers and Normans retain him in the highest esteem, along with his artistic prowess, makes his absence from fine arts and comedic history an embarrassment.

So Storm and Brandon Elston began to create a nice tribute to Mr. Al-Mansi.

Dennis Wortmann in New York is not just a tribute to Lortman. It is a tribute to New York City, the city that ignited the creative production of Warner Breeze.

From the coal vaults to rooftops, from opera houses to lounges, Wortmann's record of sailors, dishwashers, veteran artists, artists, street vendors, construction workers, musicians, intellectuals, community leaders, young mothers, trustees, students who made the city Collective was and is today.

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