Sound, Speech, Music in Soviet and Post-Soviet Cinema by Lilya Kaganovsky Details
This innovative size challenges the ways we look at both cinema and cultural history by shifting the focus from the centrality of visual and literary to the recognition of acoustic…
This innovative size challenges the ways we look at both cinema and cultural history by shifting the focus from the centrality of visual and literary to the recognition of acoustic culture as a synthesis of the Soviet and post-Soviet experience. Leading experts and emerging researchers from film studies, music, musical theory, history and cultural studies study the importance of sound in Russian, Soviet and post-Soviet cinema from a wide range of interdisciplinary perspectives.
This book explores the theoretical and artistic experimentation of voice in Soviet cinema, changes in voice and translation practices, issues of aesthetic doctrine and musical theory, and explores the cultural and historical factors that influenced the use of sound, music and sound on Soviet and post-Soviet screens.
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