Shakespeare's voice reveals the surprising extent to which Shakespeare's art is shaped by different attitudes, beliefs, practices, and speeches related to sound and hearing in his culture. In this bold study, Wesley Feule has evolved to listen as a decisive practice, noting how the Shakespeare plays express the author's awareness of the early, early associations between the sound and the special forms of moral and aesthetic experience.

Through the readings of the voice representation of the deep self in Richard III, of the "General Ear" in Anthony and Cleopatra, the ear receiving in Coriolanus, the treacherous ear in the Midsummer Night's Dream, the Greedy Ear in Othello, and Polkerth proves, by listening to Shakespeare Himself, listening to Shakespeare himself, that we derive a fuller understanding for the reason that his work continues to emerge strongly today.

I want that book.